2026 Season
11th Annual Children's Messiah
Saturday, December 12, 2026
Soloists from Polyphony: Voices of New Mexico and Chorus Master Maxine Thévenot join forces with instrumental musicians from around Albuquerque in our 11th annual performance of Handel's 'CHILDREN'S MESSIAH'.
Click here to learn how you, too, can join the chorus.
A Concert of Carols
Saturday & Sunday, December 19 & 20, 2026
Praised for her "communicative, emotionally intense expression" (Jerusalem Post) and
"technical wizardry and artistic intuition" (Herald Times), harpist Emily Levin has forged a
multifaceted career as a soloist, orchestral musician, chamber collaborator, and advocate
for new music.
Levin joined the Dallas Symphony Orchestra as Principal Harp in 2016. She has also served as guest principal harp with the Boston and Chicago Symphony Orchestras, Los Angeles Philharmonic, and Houston Symphony, and appears regularly with the New York Philharmonic. As a soloist and chamber musician, she has performed at leading venues
throughout North America and Europe, and her concerto engagements include
performances with the Jerusalem, Dallas, Colorado and West Virginia Symphonies, the Ojai Festival and Lakes Area Music Festival, and the Louisiana Philharmonic.
In 2021, she founded GroundWork(s), an initiative commissioning 52 American
composers — one from each state, plus Washington, DC, and Puerto Rico — to write new
works centered on the harp. Recent and upcoming commissions have included works by Angélica Negrón, Reena Esmail, Michael Ippolito, Aaron Holloway Nahum, and Jerod Impichchaachaaha Tate.
Levin is the only American to receive top prizes at two of the most prestigious international
harp competitions: the USA International Harp Competition and the International Harp
Contest in Israel. She was also a winner of the 2016 Astral Artists National Auditions and was named the Classical Recording Foundation's 2017 Young Musician of the Year
for her debut album, Something Borrowed.
A committed educator, Levin is currently an adjunct associate professor of harp at
Southern Methodist University, and a faculty member at the Aspen Music Festival and
the Young Artist's Harp Seminar. She received a Master of Music from the Juilliard School
and holds undergraduate degrees in music and history from Indiana University. Her honors history thesis focused on the war songs of the French Revolution.
The versatile, engaging, and spirited Canadian-American conductor, organist, and educator Maxine Thévenot is driven by a passion for vocal music in all its forms and styles and is equally at home with repertoire from the classical canon and more contemporary compositions. A frequent champion of the music of our own time, she has conducted regional, national, and world premieres of works, including those by Judith Bingham, Abbie Betinis, Jake Runestad, Ola Gjeilo, Judith Weir, Cecilia McDowall, Arvo Pärt, Tarik O’ Regan, James MacMillan, Joby Talbot, Philip Moore, Andrew Carter, Stephanie Martin, Andrew Ager, Falko Steinbach, Levi Brown, Sarah Quartel, Jenny Olivia Johnson, Zachary Wadsworth, David Hurd, and Gabriel Jackson.
Thévenot is acknowledged as one who brings singers of all ages and abilities to artful performance through an understanding of the music and its context in the world around them. Her passionate artistry, combined with a pioneering desire to educate, unites music, art, and community and has led to her resurrecting and mounting large-scale choral works, including Thomas Tallis’ Spem in Alium, and creating the intergenerational, 45-minute performance project, A Children’s Messiah by G. F. Handel, now in its 10th season.
In New Mexico, she has led the New Mexico Philharmonic, Chatter orchestra, Friends of Cathedral Music orchestra, and the PVNM orchestra in fresh and inspired interpretations of major choral-orchestral works, including Bach’s St. John’s Passion, Handel's Messiah, James MacMillan’s setting of Miserere, Seven Last Words from the Cross, and Cantos Sagrados; Henry Mollicone’s Beatitude Mass: Mass for the Homeless, the Requiem settings by Cherubini, Fauré, and Duruflé, and Enrique Granados' Canto de las Estrellas with pianist and Granados scholar Douglas Riva.
Dr. Thévenot will make her Carnegie Hall début on June 21, 2026, conducting a chorus of 150 singers from across North America and the 55-member New England Symphonic Ensemble.
Learn more about Dr. Thévenot at www.polyphonynm.com/about/artistic-director
Image Credit: Brooke Bailey Portraits
Hayden Eberhart is a native of Dallas, Texas, and currently lives in Albuquerque, New Mexico. She has sung with the Santa Fe Desert Chorale, Polyphony New Mexico, Golden Bridge, and fourteen seasons with the LA Master Chorale, where she has been a part of the Lagrime di San Pietro world tour, and soloist in Messiah and Brahms’s Ein Deutsches Requiem. She is also a co-founder and Administrative Director of Los Angeles-based PRISM Choral Ensemble, a nine-voice, conductorless professional choir focused on early music (prismensemble.org). She has appeared as a guest artist with Pasadena Master Chorale, LA Daiku, Hollywood Master Chorale, and the Pomona College Choir and Orchestra. She can be heard on such film soundtracks as Frozen, Big Hero 6, The Conjuring, and Star Wars: The Last Jedi, among others.
Megan Garcia is an Albuquerque-born and raised singer. She has a Bachelor of Music degree from the University of New Mexico with a concentration in vocal performance. During her time at UNM, Megan sang in the treble ensemble, Las Cantantes, and the mixed Concert Choir. She was also involved in the UNM Opera Program, performing in scenes and full productions. This is her third year as a soprano section leader for the Cathedral Choir at the Episcopal Cathedral of St. John. Through the Cathedral Choir, she had her first experience participating in the recording of an album entitled A Blaze of Song, released in 2025. Megan has had the pleasure of being involved in the world premiere of “The Altar” by Dr David J. Hurd and collaborating with New York Polyphony and LYYRA through Friends of Cathedral Music. She has toured with the Cathedral Choir to Canterbury, UK, Victoria, in British Columbia, Canada, and looks forward to the upcoming 2027 tour to Great Britain. Megan also performs with Polyphony: Voices of New Mexico. Recent performances include “In Remembrance” and the New Mexico premiere of Sarah Quartel’s She Sang the Stars. In addition to singing sacred choral music, she also enjoys singing in the barbershop style, spending time with her family, travelling abroad, and reading in coffee shops.
A Santa Fe native, Melody Hett (soprano) recently returned to New Mexico from New York City where she worked in administrative roles at The Metropolitan Opera and New York Philharmonic, and sang in the five-part Schola Cantorum at St. Mary’s Church under the direction of Justin Bischof. She now lives in Albuquerque where she sings with the Cathedral Choir and Polyphony: Voices of New Mexico, and works as the Development Administrator at the Santa Fe Opera.
Melody holds a Bachelor of Fine Arts degree in musical theatre, with minors in psychology and gender studies, from the University of Wisconsin-Stevens Point. Prior to transferring to Wisconsin, she spent a year studying music at UNM where she sang with the treble ensemble Las Cantantes. Prior to college, she had the opportunity to tour Italy with the Santa Fe High School choir, including a solo feature during Mass at St. Peter's Basilica in the Vatican.
Apart from choral singing, Melody enjoys crafting, songwriting, studying Korean, and spending time with her husband and their cat.
Brianna Joyce is an elementary music teacher in Albuquerque, New Mexico. They hold a bachelor's degree in Music Education, emphasis in voice, from the University of New Mexico, and are currently pursuing a master’s degree in Music Education from the Longy School of Music. Bri is also a Level III certified teacher with the American Orff-Schulwerk Association and Level I certified teacher in World Music Drumming.
Bri currently teaches K-5 general music at SY Jackson Elementary School in Albuquerque. They are also violinist in the synagogue Nahalat Shalom’s klezmer band, a soprano in the professional choir Polyphony: Voices of New Mexico, and a soprano in the
episcopal Cathedral of St. John’s cathedral choir.
Alexandra Raskin is a bachelor’s student from Albuquerque, New Mexico, who is currently studying Vocal Performance and Linguistics at Brandeis University. She is an alumna of the Young Voices of the Santa Fe Opera and Albuquerque Academy’s music program, and sang in the Cathedral Choirs for almost 10 years before going to Brandeis, having been featured as a soloist on the album “A Blaze of Song” and going on tour to Canterbury, UK and Victoria, Canada. She has also worked as an intern for the Young Voices of the Santa Fe Opera. At university, she has sung in both the Brandeis University Chorus and Chamber Singers, performed multiple voice parts, served as a soloist in both ensembles, and toured to Latvia, Lithuania, and Estonia. She has participated in Brandeis undergraduate theatre productions and activities as a performer and as music director. In conjunction with Music and Linguistics, she is also studying Russian and is currently translating several collections of Tchaikovsky art songs into English.
New Mexico native Jordyn Tatum is a soprano and educator recognized for her versatile artistry and commitment to the choral tradition. A summa cum laude graduate of the University of New Mexico (B.M.E., 2024), Jordyn’s musical foundation began in 2008 with the Cathedral Chorister program, where she now serves as Chorister Assistant and Soprano Section Leader.
Her tenure with the Cathedral Choirs has taken her to the world’s most prestigious stages. As a soloist, she has premiered contemporary works in historic venues including Westminster Abbey, the UK Cathedrals of Winchester and Canterbury, and Saint Thomas Church 5th Avenue. Her voice is also featured on four commercially released albums by the Cathedral of St. John under the RavenCD label.
A dedicated scholar of her craft, Ms. Tatum’s recent credits include: 2026: Finalist in the Colorado Young Artist Bach Competition; 2025: Choral Scholar and Intern for the St. Thomas Girls Chorister Course (NYC); 2024: Vocal Scholar at the Spire Chamber Ensemble Choral Conducting Institute; 2023: Inaugural Schola Cantorum Course at the IU Jacobs School of Music.
This summer, Ms. Tatum will make her Carnegie Hall début performing as a chorus member in Duruflé’s Requiem and join the Santa Fe Desert Chorale as a Seasonal Intern. She performs regularly with Polyphony: Voices of New Mexico and shares her passion for music as a middle school choral director for Albuquerque Public Schools.
Born and raised in Los Alamos, New Mexico, Sandy Beery has been singing in choir since she was 11. Sandy was a member of the University Singers and the vocal jazz ensemble while a student at New Mexico State university. She also sang with Sangre de Christo Chorale for 12 years before joining the Cathedral Choir. Aside from singing, Sandy enjoys hiking in the mountains of New Mexico and cooking. This is Sandy's third season with Polyphony: Voices of New Mexico.
Laurie Fleenor is a vocal performance major at the University of New Mexico, graduating in 2028. She has been singing at the Cathedral of St. John since 2016 and currently serves as the alto section leader. Her formal vocal training began in high school prior to the pandemic and builds on an early foundation in piano. Passionate about choral and classical music, she is committed to developing her artistry through both academic study and professional performance. Outside of music, she enjoys photography and spending time in nature, which continue to inspire her creative expression and artistic perspective.
Andrea Gray Perry regrets that she is not originally from New Mexico, but is delighted to make her home in Albuquerque with her wife who grew up in Algodones, NM. She grew up playing guitars and singing in the backyards and coffeeshops of Austin, Texas but was first bitten by the polyphony bug during her sophomore year at St. John's College in Santa Fe which led her to make the life-altering choice to write her undergraduate thesis on Bach's Matthauspassion. She was a co-founding member, vocalist, and managing director of Austin Baroque Orchestra and had the privilege of performing with Texas Early Music Project and serving as a section leader for St. David's Episcopal Church's parish choir. It is her ever greater privilege to return to music-making with PVNM and the Cathedral Choir of St. John's ABQ after a long hiatus during which she devoted her time and energy to her 'day jobs': first, working as a program manager at a rape crisis center and later completing training as a nurse practitioner. When not singing, tending her garden, or spending time with family, she maintains a clinical practice in an outpatient clinic serving patients across New Mexico and serves as volunteer adjunct faculty at UNM College of Nursing.
Alyssa Landahl, a founding member of Polyphony: Voices of New Mexico, is serving her 15th year on its Board of Directors as Publicity Chair and Secretary. She has been a member of the alto section in the St. Johns Cathedral Choir for 15 years and also serves as Choral Librarian and Vestment Coordinator. At various times since moving to Albuquerque in 2005, she has been a member of Quintessence, UNM’s Las Cantantes, and the UNM Chorus. She has also been a substitute teacher and a teaching assistant at Manzano Day School. Prior to her departure from Boston, she served as Director of Operations for the 120-member Back Bay Chorale for seven years.
She holds an Ed.M. degree from Harvard University and has taught history, English, and the humanities at the middle and high school levels. She is currently a graduate student in library science at Simmons University, with a concentration in archival management, and is pursuing her doctorate.
In her free time, she likes to read, attend soccer and baseball games, and assemble Lego sets with her husband of 20 years and her children, William (a high school senior), and Sally (8th grade).
Mary Quinn has spent a lifetime singing in choirs. Before moving to New Mexico, she spent many years singing professionally and semi-professionally in choirs in the San Francisco Bay Area, with a special emphasis on early music. She has translated a range of Spanish poetry and zarzuela texts for professional performance and has published articles on early zarzuela, Baroque opera, and vihuela music and poetry. She is Associate Professor in the Department of Spanish and Portuguese at the University of New Mexico. Her current research focuses on literary, aural, and visual cultures of seventeenth-century festivals of the Habsburg Empire. She has been an enthusiastic member of Polyphony since 2010.
A high school senior, Ida Shelton, is fortunate to have had a wealth of musical opportunities since moving to New Mexico two years ago. She sings in the Cathedral Choir of St. John as a choral scholar, in the Young Voices of the Santa Fe Opera, and in several of Albuquerque Academy’s vocal ensembles. Most recently, she participated in New Mexico’s High School
and Jazz All-State Choirs, the New Mexico Youth Harmony Camp, and the St. Thomas Girl Chorister Course in Manhattan. In addition to singing, she enjoys playing the harp and the piano, achieving the Louise Bass Excellence Award for collaborative piano at the Vocal Art Song Festival in 2025. This is her second season singing with Polyphony: Voices of New Mexico.